26 Jan 2012

EMI VP Comes Out Against SOPA/PIPA; Says The Answer To Piracy Is Providing A Better Service


from the promote-this-guy dept

Over the years, I've definitely found that there are plenty of folks working inside the major record labels (and big studios) who really do get what's going on. The problem is often that their voices are drowned out by others (usually the older guard) who are pretty stubborn in their anti-innovation, anti-consumer ways. It's always nice, however, when someone from the inside pops up and says something sensible in public, and those folks deserve kudos. The latest is Craig Davis, EMI's VP of Urban Promotions. He recently did a Reddit AMA (for you non-Redditors -- a Q&A session), in which someone asked him his opinion of SOPA/PIPA/ACTA, and he gave a really reasonable answer:
Personally, I feel that the method they're using is incorrect. All it will do will cause headaches and issues for everyone.

However, I do believe that a person should be compensated for their work. I feel that piracy is a big issue, and things like Spotify will assist in combating this problem.

Gabe Newell is correct, it's a service issue not an issue of money. Sales have gone up from sales concerts and merchandise, it's obvious that our fans still love music. We're just not giving them their music in an easier way.

The reference to Gabe Newell, of course, concerns Newell's regular speeches about how you compete with piracy by providing a better service -- something Newell's Valve has done quite well over the years. 

Davis has it exactly right here. The only thing that's been shown to work over the years as a method of dealing with widespread infringement is to offer a better service. Things like SOPA/PIPA/ACTA will cause lots of problems... and won't do a damn thing to slow down infringement. EMI is in the process of being swallowed up by Universal Music, so who knows what happens here, but if I was in charge at Universal, I'd give Davis a nice promotion. Tragically, however, in my experience, the folks who do get these things from within the major labels frequently end up outside the major labels before too long.... Source